For special offers, discount codes, exhibition news and featured articles please join our « mailing list » or follow us on « Twitter »
17/04/13 : Paintings by David Inshaw
A major exhibition of paintings by David Inshaw opens today at
« The Fine Art Society »
in London, with landscapes, coastal scenes, large tree portraits and other new paintings displayed alongside earlier works, including the first public appearance
since 2004 of
12/06/12 : Op Art retrospectiveA retrospective exhibition of Op Art by Fontana Modern Masters artist Oliver Bevan is showing at the Médiathèque Uzés in France until 31 July. To see a selection of Bevan's monochrome paintings and shaped canvases (1964-72) click one of the images below. 14/05/12 : * NEW RELEASE *We are delighted to announce the release of Tony Roberts' acclaimed science fiction painting Double Star as a limited edition framed print. The painting was used as cover art for Robert A Heinlein's novel of the same name and received widespread media attention in 2000 when the Turner Prize nominated artist Glenn Brown 'appropriated' it for his painting « The Loves of Shepherds ». The print is reproduced from Tony Roberts' original painting and is signed and numbered by the artist. For further details click the image.
14/05/12 : Exhibition updateJamie Shovlin's exhibition of Fontana Modern Masters paintings at « Haunch of Venison » in London runs until 26 May. To see inside the exhibition click one of the images below.
16/04/12 : WE
|
|
05/04/12 : Words and PicturesMark Sinclair looks at collaborations between authors and artists, including JG Ballard and David Pelham, in the « March 2012 issue » of Creative Review. |
|
26/03/12 : WE
ART
This month's painting is The Hireling Shepherd by the Pre-Raphaelite artist William Holman Hunt. The painting may be a reference to Jesus' parable
of the good shepherd who puts his flock first and the hireling shepherd who neglects his duties to pursue his own interests. Here a hired hand flirts with a girl while
the sheep stray into a field of
corn, but eating it fatally bloats the sheep and two lie dying on the ground.
|
Hunt claimed the painting symbolized the clergy's preoccupation with theological debate while their 'flock' went astray, but it is also thought to have
other interpretations and possibly a hidden meaning. This speculation about the painting was given a bizarre
twist by Brian Aldiss in the 1960s as art met New Wave
science fiction in his
cult-classic antinovel « Report on Probability A »
10/03/12 : Exhibition updateThe « Penguin Books exhibition » opens today at the Royal West of England Academy of Art in Bristol. Highlights include David Pelham's iconic artwork for A Clockwork Orange and his series of paintings for The Drowned World, The Terminal Beach, The Four-Dimensional Nightmare and The Drought. Limited edition framed prints are available in the RWA shop for a special exhibition price of £245. |
|
04/03/12 : Various Arrangements
An exhibition of new « Fontana Modern Masters » paintings |
|
28/02/12 : RWA exhibitionDavid Pelham's limited edition framed prints will be on display at the « Royal West of England Academy of Art » in Bristol from 10 March to 22 April 2012. |
|
27/02/12 : * SPECIAL OFFER *
To tie in with the lead story on « Ballardian » we are offering
20% off David Pelham's limited edition framed prints. To take advantage of this special offer click on one of
the framed prints below and enter discount code JGB74 (expires 31st March).
![]() |
![]() |
![]() |
![]() |
![]() |
27/02/12 : The Art of Inner Space
Hot off the press and the current lead story on « Ballardian » is an exclusive interview with David Pelham, who describes how he created his 'airless thermonuclear landscapes, devoid of time' for JG Ballard and recalls the sleepless night behind his famous cog-eyed droog for 'A Clockwork Orange'. For this and more on Ballard and 'the paradigm of nowhere' click the image below.
16/02/12 : WE
ART
This month's painting is The Fall of Icarus by the sixteenth-century Flemish artist Pieter Brueghel the Elder. In Greek mythology, Icarus and his father
Daedalus attempt to escape from a prison on the island of Crete using wings made from feathers and wax,
but Icarus flies too close to the sun, the wax melts and he
plunges into the sea.
|
Brueghel's painting is a recurring metaphor in Walter Tevis's classic science fiction novel The Man Who Fell to Earth. The novel tells of an alien from the planet Anthea who travels to Earth on a mission to save his species from extinction. Masquerading as a human, the alien acquires enormous wealth which he uses to fund the project that will rescue the dying Antheans. But overcome by isolation and loneliness, he gradually goes native, sinks into alcoholism and abandons the project. Finally he records an album of poetry in his native language which, unintelligible to humans, is an elegiac farewell to the Antheans monitoring Earth's radio and television transmissions for news of the rescue mission.
06/02/12 : Oak frames now available
Our series of prints featuring classic cover art by Faber and Faber's former art director Berthold Wolpe are now available in black, white or oak frames. For further details click one of the images, below.
![]() |
![]() |
![]() |
![]() |
![]() |
23/01/12 : Monograph No. 44 x 44
We're giving away 44 copies of Monograph, No. 44, the award winning, subscriber-only A5 booklet published by Creative Review, which features Penguin
book covers by the |
![]() |
16/01/12 : WE
ART
The third painting in our monthly series is Wake Up and Smell the Coffin by the artist and writer Harland Miller, whose large-scale paintings based on the tattered covers of vintage Penguin books were first exhibited at London's « White Cube » gallery in 2002.
|
Wake Up and Smell the Coffin is a playful homage to Edgar Allan Poe's short story The Premature Burial and was part of a
« Poe-themed exhibition »
Miller co-curated at White Cube in 2008. A modified version of the painting was then used as cover art for The Pit and the Pendulum: The Essential Poe, which
Penguin published in 2009.
The painting's cover layout and 'Good insomniac science-fiction' tagline are borrowed from the 1961 Penguin
edition of John Blackburn's « A Scent of New-Mown Hay ».
Miller retained the sf tagline for a new version of the painting in 2010, which uses the 1940s landscape format and cover design of the 'Penguin Modern Painters' series.
11/01/12 : The Purple Cloud
M P Shiel's 1901 science fiction novel The Purple Cloud will be published as a Penguin Classic in July 2012. For further |
![]() |
03/01/12 : Hell's cartographer
Kingsley Amis' 1960 survey of science fiction New Maps of Hell |
![]() |
14/12/11 : WE
ART
The second painting in our new monthly series is by the Turner Prize nominated artist Glenn Brown. Originally titled The Loves of Shepherds, the painting became
the subject
of a widely publicized controversy at the Turner Prize exhibition in 2000 when it emerged that it is almost identical to a 1973 painting, Double
Star, by the artist Tony Roberts.
|
Double Star had been used as the cover painting for Robert A Heinlein's science fiction novel of the same title, but Brown had copied it without seeking permission and neither Roberts nor Double Star was credited in the Tate's exhibition catalogue. Brown renamed his painting The Loves of Shepherds (after 'Double Star' by Tony Roberts) but critical opinion was divided, with some accusing Brown of plagiarism and others defending him by citing the Pop Art paintings of Roy Lichtenstein, who appropriated illustrations from American comic strips. For more on this see the « Spring 2001 issue » of Eye magazine.
08/12/11 : Iconic Book Design
An extended version of the Creative Review article 'Wolpe, Albertus and Faber's classic covers' has been posted on the Faber blog « The Thought Fox »
01/12/11 : * SPECIAL OFFER *
For ten days only: get 20% off limited edition framed prints by Penguin Books' former art director David Pelham. To take advantage of this special offer simply enter discount code DEC10 when placing an order (expires 11th December).
23/11/11 : Wolpe, Albertus and Faber's classic coversFollowing our release earlier this month of four classic prints featuring 1960s cover art by Faber & Faber's former art director Berthold Wolpe, the « December 2011 issue » of Creative Review tells the story of Wolpe, Albertus and Faber's classic covers. |
|
22/11/11 : Competition results
Congratulations to the winner of the Gallery competition in the « September 2011 issue »
of Creative Review which offered readers the chance to win A Clockwork Orange framed print worth £275. |
|
14/11/11 : WE
|
|
04/11/11 : * NEW RELEASES *
We've just released four new prints featuring 1960s cover art by Faber & Faber's former
art director Berthold Wolpe. Dante by TS Eliot,
Endgame by Samuel Beckett, A Girl in Winter by Philip Larkin and Non-Stop by Brian Aldiss showcase Wolpe's finest work and are now
regarded as retro classics. The prints are available in a black or white frame
and are glazed and ready-to-hang. For further details click an image.
![]() |
![]() |
![]() |
![]() |
02/11/11 : The Shape of the CenturyThe story of the Fontana Modern Masters as featured in the « Winter 2009 issue » of Eye magazine. |
|
01/11/11 : * NEW RELEASE *
Following last month's relaunch of the |
|
20/09/11 : Fontana Modern Masters
We've just relaunched the |
![]()
|
23/08/11 : * COMPETITION *
See the « September 2011 issue » of the award-winning design magazine Creative Review for a chance to win A Clockwork Orange limited edition framed print worth £275.
– Christopher. London, UK
"Lovely print, I'm delighted."
– Mark. Bristol, UK
"I received the prints this morning and they're just as good as I expected."
– Jon. Hull, UK
"The print has just arrived safely -
very well packed! The print itself is beautifully done and framed."
– Tim. Halifax, UK
"These prints are simply stunning."
– Ged. Malmesbury, UK
"The set of five Ballard prints by David Pelham arrived yesterday and I'm absolutely delighted with them!"
– Ben. London, UK
| « join our mailing list |
find us
|































.jpg)















